Share
9th February 2020
04:12pm GMT
Nine films - check out our comprehensive ranking here - but only one winner.
For a time, we thought that Martin Scorsese's gangster epic The Irishman could sweep the board, largely due to it acting as a sobering farewell to a genre by maybe the greatest filmmaker to work within it. And yet, in recent months, everything went cold to the point that Robert De Niro didn't even wind up with a Best Actor nod.
Joker, meanwhile, is probably too divisive to unite the room but it did make a staggering amount of money and attracted a feverishly loyal following, so there's a cult sensation vibe in play.
Instead, everyone has decided long in advance that 1917 is winning.
The Academy loves a good war film but it adores innovation even more. While you might regard 1917's approach - everything looks like it's been shot in one take, despite that not strictly being the case - as a gimmick, it's almost guaranteed to put this one over the top.
Spare a thought for Parasite, though. Bong Joon-ho's brilliant film has captured the hearts and minds of the world and though it will likely settle for Best International Feature Film, an overall win would represent a major game-changing statement.
And if you fancy an outside bet; Quentin Tarantino's superb Once Upon a Time... in Hollywood might just have enough 'Ain't the power of the movies great, everyone?' sway with the more sentimental members of the voting body. That said, there's been a lot of chatter about Jojo Rabbit emerging as a shock victor.
Should win: Parasite
Will win: 1917
Quentin Tarantino, perhaps surprisingly, has never won an Oscar for Best Director. Hollywood marks his third nomination and it's easily his best, most complete, most passionate work since Jackie Brown. A win would be a good story, especially for a man who keeps saying he's going to retire after his next picture.
Bong Joon-ho, meanwhile, has elevated an already masterful career with Parasite and there's a lot of love for the guy, but that may not translate into gold. Again, it'd be a hell of a story, so here's hoping.
Martin Scorsese delivered strong work in The Irishman but the Academy have always been late to honour him - The Departed felt like a lifetime achievement bonus more than anything else - and while Todd Phillips showcased genuinely impressive skills in realising Joker, this is Sam Mendes' to lose, coming in hot after taking Director's Guild of America, Golden Globe and BAFTA gongs for 1917. Expect him to have a second Oscar after Sunday.
Should win: A coin flip between Quentin Tarantino and Bong Joon-ho
Will win: Sam Mendes
No contest here. Joaquin Phoenix is going to make another headline-grabbing speech.
Should win: Phoenix, but DiCaprio is equally outstanding in Hollywood.
Will win: Joaquin Phoenix
Hollywood lives for a biopic and Renée Zellweger has been a shoe-in for her portrayal of Judy Garland for the entire awards campaign, despite nobody you know having actually seen the film. As with the male counterpart, this thing has been locked up for months.
Should win: Saoirse Ronan, probably, but she's the new Meryl Streep so that day will come.
Will win: Renée Zellweger
What a heavyweight category this is.
Tom Hanks has the Meryl Streep role of being Hollywood royalty. Anthony Hopkins is regarded by some as a living legend. Same goes for Al Pacino and Joe Pesci, with the latter coming out of retirement to shine in a different way then we're used to seeing in a violent Scorsese film.
If anything, Pesci's performance may not have been showy enough to land another statue. In any case, it doesn't matter because Brad Pitt is winning after everyone suddenly copped on and realised that one of the greatest actors of his generation has been hiding in plain sight forever.
One slight issue, though - his character of Cliff Booth is less a supporting part and more of a co-lead, but that's how Oscar politics work, folks. And hey, dude deserves it. Also, JOE called it the second we saw the film, so hopefully there's room in his acceptance speech for us, eh?
Should win: Brad Pitt
Will win: Brad Pitt
A proud day in the Scarlett Johansson household with the whole double nomination thing. She ain't winning, though. Nor are Kathy Bates, Margot Robbie - who should have been up for Hollywood, really - or Florence Pugh, who is essentially cinema's new world star and thus the nomination is enough for now.
Instead, as with all of the acting categories, this is an open-and-shut case for Laura Dern and her tough-talking lawyer from Marriage Story. Considering that Dern is easily one of the most impressive and compelling actresses there has even been, this one feels long, long overdue.
Should win: Laura Dern
Will win: Laura Dern
A tough one, this.
There's a lot of love for Knives Out, particularly from a storytelling point of view. 1917 feels a touch superfluous given how little dialogue there is. Marriage Story, meanwhile, is all about people talking to one another in rooms and how tense that can be. Hollywood is a hangout triumph from Tarantino but Parasite should hopefully be rewarded for a complex and clever maze of a script that works in comedy, drama, horror, social commentary and sharp twists at every turn.
Should win: Parasite
Will win: Parasite
Another tricky one. Greta Gerwig's exclusion from the Best Director group felt like an egregious snub for many, so a win here would go a long way to restoring some balance. Outside of that, Gerwig managed to take a classic story and put her own strong twist on it. No easy feat.
Elsewhere, Joker feels a stretch in terms of the basic parameters of this one and it really does feel like The Irishman has had its day in the sun. Plus, depending on who you believe, the book it's based on is a HOUSE OF LIES. Jojo Rabbit could once again be the surprise favourite.
Should win: Little Women
Will win: Jojo Rabbit
And that about does it for the top-line battles. Expect the great Roger Deakins to land his second Oscar in the space of three years for Best Cinematography for 1917, having finally won one for Blade Runner 2049. Fun fact: Deakins has now been nominated 15 times.
Aside from that, look for Joker to take Best Original Score for Hildur Guðnadóttir's brooding musical accompaniment and 1917 to clean up, generally.
A magical night, guaranteed.Explore more on these topics:
The JOE Film Club Quiz: Week 84
movies tv
